Download Side B – 25:17, 46.3 MB

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Preview

This is a recording of just another night on DJ Marcus Visionary’s and DJ Prime’s show, The Prophecy, on CIUT 89.5 FM, Toronto, circa 1998.  Three fine jungle DJs grace the decks in this recording – host Marcus, and fellow locals Everfresh and Slide.  The Prophecy show has been a Toronto institution as long as I’d been attending raves and clubs (1996), and likely a lot earlier than even that.

This show is a a little on the chatty side which is a shame.  Marcus is a great DJ whose talents and radio show get better with every passing year, but his show has always been stuffed to the gills with his yammering.  In this 60-minute recording there’s maybe 5 minutes of talking (overtop the beats) so be ye fairly warned, sez I.

It’s cool having 3 DJs in the span on an hour because we’re treated to a good variety of flavours.  Marcus grinds into gear with some grimey tech jungle, and Everfresh and Slide pick up where Marcus leaves off, easing gradually into more ethereal and soothing sounds.  I’m not sure whether it’s Everfresh or Slide who drops it, but side 2 of this mix features my favourite D&B track of all time – Grooverider’s remix of Pacific by 808 State.  Also watch out for Miles From Home by Peshay, one of my favourite jazzy/liquid D&B producers, on the second side.

I’ve always been big on jungle music but it was kind of an also-ran – I’d go to parties to see various headliners playing other genres and I’d traipse into the accompanying jungle room a few times to see what’s up and change the pace.  So, unfortunately, I don’t have any particularly witty tales of wacky exploits related to these DJs.  The best I’ve got is my recollection of a party in Hamilton, Ontario, that I checked out with some of my pals, when we witnessed Marcus snarf a heroic rail off the side of a 1200 before pounding out an enthusiastic set.

The Prophecy is on from 8-10pm Eastern Standard Time and you can listen in on the CIUT live radio stream.  It’s well worth your time too, as Marcus’ style has really evolved a lot over the years, so in addition to the latest jungle styles and white labels you can hear the likes of garage, jazzy breakbeats, and other various percussive treats.

Download Side B – 31:05, 56.9 MB

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This is a recording of an unlabeled tape by a DJ who doesn’t introduce himself, but it sounds a whole lot to me like the king of Toronto tech-step, one of my fair city’s most oldskool and well-respected DJs, Mystical Influence. I’m guesstimating the date.

What’s to be said about Mystical Influence? He and his brother, DJ Sniper, are amongst Toronto’s top DJ talent; the bar by which all our city’s D&B DJs are measured. Mystical throws down the deep and buzzy basslines with lots scattered and poppy renegade snares, while Sniper’s specialty has been the warm-up, jump-up, more positive and funky, vocal tunes.

The sounds on this recording are classic, unapologetic Mystical. Expect some dangerous grimey basslines ‘longside mechanical, reliable beats, or low-key dread bass giving way to overcomplex, near-breakcore snare arrangements. A couple of songs in this mix feature nonstandard syncopation which transform the beat to a nearly 6/8 time signature, and transitions into and out of 4/4 tracks take some serious concentration, familiarity, and raw talent which this DJ has to spare.

I have no particularly noteworthy Mystical Influence stories to share, unfortunately. The guy is an institution – if there’s a jungle party worth going to, this guy is almost guaranteed to be there. I’ve been out of the loop long enough that I’m not sure whether Mystical does the rounds anymore, but if he does consider yourself blessed.

One thing that I will say about this guy is that he’s one of the reasons I started caring less and less about headliners. I’ve bought more than my fair share of lousy one-off mix CDs by the biggest names you can muster, and they don’t hold a candle in professionalism or track selection to any of my random tapes off of Toronto DJs like Mystical Influence.

Bo.

Download Side B – 45:55, 84.1 MB

256kbps, 44.1kHz stereo

Stereo rebalanced, normalized, treble boosted

Preview

We’ve got a true classic right here. Though it was released in ’97 this tape almost exclusively features tracks circa 1992 and thereabouts. This is a great era as most genres of techno had yet to branch from the trunk, so to speak, meaning that just about everything was jungle plus inklings of something (or more likely, some things) else.

This is a very solid mix of all kinds of primordeal jungle with near-flawless mixing, some awesome scratching, and some dangerous mashups. What really sets this tape apart is the meticulous post-production work. The concept of using a four-tracker to make mixtapes was explained to me by DJ Shane from LA via IRC which was quite a relief because I almost went nuts trying to find the versions of my favourite tracks from this tape with all the awesome samples superimposed. Keep in mind that this tape was revisited at least once before being published and it will be apparent just how much effort went into this very unique creation.

That’s all I have to say about this awesome tape, except that I’ve got at least one other R.A.W. mix to share (No Darkness). I’d now like to take a moment to recant my tale of the time I saw R.A.W. perform.

‘Twas at the Labyrinth Lounge in downtown Toronto that I had the rare and distinct pleasure of seeing this man grace the decks. He played complex and intelligent jungle with lots of wacky breakbeats and those oldskool chords that make me nuts. However, I’m getting ahead of myself so I’ll start at the beginning.

Having heard that one of my favourite all time DJs, R.A.W. from Los Angeles, would be playing nearby, I rounded up a posse and headed downtown. I got an amazing free parking spot right around the corner. I walked into the venue and was greeted by a representative of the Chills Tobacco Company, asking if I’d like to enter a raffle for a 6 foot bong for a couple of bucks. Why the hell not, I rationalised, and traded a Toonie for half a playing card. The seven of spades or thereabouts as I recall.

So I spent the night bopping around to the great beats of some of Toronto’s finest jungle DJs (and this is a city that knows its jungle). Finally my main man R.A.W. stepped up and totally tore the house down. I didn’t know what to expect, having only heard his old mixtapes and wondering how he’d represent at a jungle party. I’m understating by saying that every track he laid down had me slackjaw-awed. Just as his mixtapes featured tracks with this inexplicable comfortable fit spanning multiple genres, so was his track selection this night.

The music spoke to me that night, saying it was all for me. Every beat, every chord, every snare, just for me. I cannot sufficiently articulate this so I don’t expect you to understand what I mean when I say this. However, perhaps this will give you a clue.

My friends were pooped by 3am and took off, but I was determined to stay for the raffle. Finally, about 45 minutes later, the MC called for the music to stop, produced a handful of playing card halves, and called one out. It wasn’t mine, but no one replied. The MC called out another card. Not mine. No reply from the audience. The third card was the charm – it was mine and I raised my half in the air and approached the stage. I’d won a ridiculously huge and impractical Chills bong with a ludicrously tall red plastic shaft and a green alien head at the base. The crowd applauded.

I was then pulled aside by a photographer from Tribe Magazone – a free Toronto publication focused on the local rave and club scene. I was asked to pose with my new smoking aide and to smile for the camera. I somehow could only oblige one of these requests. The poor photographer took 4 or 5 pictures of me but for the life of me I was simply powerless to curl my lips. I had smiled so much that night that my face was just exhausted and couldn’t muster a grin if my life depended on it. Thankfully the photographer gave up before too long.

On my way out the door I was offered $200 for the bong by a fellow partygoer. I replied in the negative, saying I’d keep it forever to remind me of the night I saw R.A.W. I carried the ridiculous thing out the door and onto Bloor Street, even more thankful at my advantageous parking spot. I went home, stashed it in my bedroom, and had some explaining to do to my parents the next morning regarding my new acquiry.

I now proudly display this piece in my living room and think of this night every time I see it. Perhaps it might have served as more than a display piece were it not significantly longer than the human arm, but the sentimental value alone gets me lifted.

Download Side B – 29:37, 54.2 MB

256kbps, 44.1kHz stereo

Preview

This was my second rave tape, given to me by Will in high school. It’s a promo tape that was given away with pre-ordered tickets to the Utopia rave in Toronto in May of 1996. The flyer was super awesome, depicting an enormous eyeball towering over a Utopia logo. This was supposed to be my first rave but my friends chickened out, so we didn’t attend one until Destiny 16 in October of the same year.

This tape is really neat and I’m not sure how it’s mixed – four-tracked, maybe? The liner notes list many DJs which would leave me to believe that it’s just songs composed by the headliner artists, but side B features an overdubbed intro sample for Nicky Blackmarket and later an MC props up Darren Jay so I’m not sure.

Oh, did I neglect to mention that side A is techno and trance while side B is oldskool jump-up and ragga jungle? An odd combination indeed, but I imagine it summed up the party proceedings thoroughly.

On side A the opening is the song that thankfully introduced me to Bjork, and the song coming in at 21:00 has that overbaked TB303 that melts my mind. Side B has some of the choicest cuts of some big jungle anthems that I’ve never heard anywhere else. I especially love this mix of Jungalist.

Enjoy, share, and leave a comment!